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The NIN Farewell Show with GARY NUMAN!!
Review By Adam

http://www.myspace.com/nin

 

Trent was the king of a dark industrial pop scene formed in the dust of a fading new wave landscape. His followers eagerly awaited year after year for his Halo Branded electronic solo masterpieces. A product of dark new wave, he transcended his genre into something that was entirely new and fresh, and yet even in it's prime, a throwback to the 80's. This was Trent's perfect medium on which to channel his talents. No article can describe the credit he truly deserves and describe the lives he has changed.

 

Who does the man himself credit? For his final shows it was no other then fabulous Mr. Gary Numan, who Trent chose to share his final performing moments with during his Farewell show. For some prior shows on his Farewell Tour he decided to go with Peter Murphy from Bauhaus as his guest performer, which we will be playing plenty of on the station, especially stuff from the Dali's Car project.

 

 


Entering high school in the Mid 90's, everyone was curious about this "NIN" band, constantly topping the charts with a new dark electronic style. Only the conservatives and religious were complaining about closure, and who wanted to do what to who like an animal; everyone else was playing it.

 

Around that time, at age 14, I had picked up a Numan 45 "Cars" (b-side metal) at the local swap meet. I liked Cars, but after listening, I loved Metal. Gary's influence on the scene was transparent from this moment on. Not only in NIN but Smashing Pumpkins, Marilyn Manson and more. They were all pulling massive amounts of creativity out of these old Numan records. From then on it was like Pokemon for me; Dance, I Assassin, the Plan, Replicas, I could never get enough. I almost expected a Christmas card from old Gary after buying up anything with his name on it. Oh yeah this is about NIN huh. Did I mention I have an autographed Telekon 8-Track? I guess I am a Numa-Nazi, my first Tripod webpage was dedicated to nothing but.

 

Don't get me wrong NIN is still awe inspiring in there own right. I think the creativity faded after the Fragile. In contrast, maybe the people changed and the music remained the same. In fact I'm kind of burned out on even some of their best Cd's, seems even Trent knew it was time to finally hang it up. Gary please don't get any ideas about retiring. On Batwave we will be playing some Exotic Birds; a new wave band that featured a young, pre sobriety Trent. Also some pre "Pretty Hate Machine" NIN music. Here we strive to keep the legacy alive, exposing a new generation of listeners and artists to this unique style. Trent thank you for your years of service to this scene, you will never be forgotten.

 

 

 

The Monterey English Beat Festival
Review By Sid

http://www.myspace.com/officialbeatspace

 

"Mirror in the bathroom, please talk free. The door is locked, just you and me!" The lyrics rang out over Doc's Dance Lounge in Monterey California. The place filled with 30 somethings dancing and singing along, there was something in the air making everyone happy, I think it was the Beat. Thursday September 24th, 2009 the English Beat preformed a benefit show for the local Jr. Lifeguards. Batwave was up in NorCal, in full attendance.

 

 

Doc Rickett's (Dance Lounce) was absolutely packed that night, at least 300 people shoulder to shoulder hoping to catch an earful, gearing up for a stellar performance from this classic English band. The Opening act was a Nick Drake/Sufjan Stevens an acoustic act, and even though it was wonderful it might have been better suited for a Ben Harper or Jack Johnson show not really a New Wave/Ska band. Hoping this wasn't the progression the band had taken, we sat back and waited.


 

Twenty minuets after there scheduled start time, it was time for the Beat. Dave took the mic and proclaimed his love for Fiji Water and the Monterey Aquarium, then then they were off. Reggae, New Wave, Ska, there was something for everyone. Spouting their classics "Hands Off... She's Mine," "Save it for later," and of course "Mirror In the Bathroom" where the crowd lovingly danced and sang along. Interestingly enough they also did a handful of covers including, "Tenderness" by General Public and Smokey Robinson's "Tears of a Clown." This made for a very dynamic and well rounded show.

 

One thing that should be mentioned, despite whether you are a ska fan or not; You need to see this band for the sax player! He commanded an incredible amount of energy, delighting the crowd with infectious and perfectly timed notes. An noteworthy encore later and we were outside singing the Beats praises, then off into the night with a hop in my step. So if the Beat comes to town, go out and show your support, they are sure to delight.

 

Later Kiddos, Sid




Green Jelly /Jell-o In Hollywood
Review By Sid

http://www.myspace.com/greenjellyandthepigs

 

Batwave came out in full force the evening of June 13th, 2009 for the self proclaimed, "Worst Band on Earth!" Green Jell-o! The place was packed from wall to wall and included something for everyone, from openers Radioactive Chickenheads and Frankenstein to middle acts like Rosemary's BillyGoat . The night was action packed. Costumes, Fire, Pentagrams, and Mosh pits explains the environment. Once Green Jelly took stage it was full force the rest of the night, which went until about two in the morning.

Lead singer Bill Manspeaker came out rousing the crowd, "You wanted the worst you've got the worst!" Hopping right into the opening number, Obey the Cowgod, followed by classics like Anarchy in Bedrock and the Bear Song. Twenty to forty year old fans packed the Knitting Factory for this one of a kind circus of chaos. Missed lyrics, stumbling, costume problems, and sound problems plagued the set but Bill Manspeaker kept the crowd roaring with his outlandish onstage antics and banter. If the set was beginning to lag, Bill had no qualms about bringing half of the crowd on stage to act out various songs or just hop up and dance around.

 

Before closing the set one fan cried out to Bill exclaiming he waited 9 years to see this show and drove out from Oregon just for it. Their final song of course was their one huge hit, "Three Little Pigs" which was sung with incredible intensity by both Bill and the crowd. And in the end he ended up crowd surfing as electric feed back took us out for the night. As a side note, this was quite possibly one of the biggest ovations from a crowd i have seen. Green Jelly fans are some of the most hardcore and loyal fans i have seen. From opening to closing this was an an experience to remember, one Batwave was proud to be a part of.
-Have fun kiddies, Sid



 

The Melvins, Relevant for Batwave?
Probably not but oh well we had fun.

www.myspace.com/themelvins

 

 

 

Constantly floating just outside the mainstream as usual, the Melvins manage to cook up yet another fabulous show. Buzz Osborne, lead singer and original founding member is still delivering that same exotic clash of instruments we've all come to love. Coming out of the same mold as Flipper and Nirvana, and as an originator of early grunge music, and despite the fact that The Melvins might not be exactly relevant to Batwave, they never fail to entertain anyone with an open mind and ear.


We arrived at the historic Wiltern which is located on the corner of Wilshire and Western. The venue is a beautiful location, featuring a classic hollywood era art deco theme inside and out, blah blah... While walking a few blocks from our free parking spot to the venue, we encountered a variety of characters, from a joint smoking metal head offering discounted tickets, to a large group of skateboarding kids showing off there tricks to anyone willing to watch.

You might be getting tired of the typical older band review formula, where a cliche question is posed, something like "..But can they still rock?" Thats insulting to the artist, and insulting to middle aged people everywhere, yes its been proven, you can still rock at at 50, or even 60. We know this, we know that if a band is willing to still perform chances are they won't let us down with there geriatric needs. How many reviews like this are answered, "..yeah turns out they no longer rock they are just too old and should retire..." Elvis would still be rocking if he was alive, Paul Mcartney still performs just fine, why even pose the question that the Melvins might just not be able to pull it off anymore? So this goes without saying, the Melvins came and performed there show exactly how they intended. Buzz was modest on stage, not trying to be a celebrity, just basically delivering to there fan base what they come to expect. If you wanted to see the Melvins thats exactly what you got.

 

I wouldn't say that the Melvins necessarily opened up for "Down" as indicated on the ticket stub. The set played by the Melvins was equal intensity to that of Down, and ran about the same amount of time. Prior to this we sat through Weedeater, which wasn't the same band from Santa Clarita we assumed. Instead it was a metal act from Michigan which featured a really energized 60 year old drummer who made Buzz look like jailbait in comparison. Any band who releases an album on 8-Track is just fine by me. All in all we were very pleased with the Melvins, would I see them again? Certainly I think I'm good for another two years.

 


Batwave Goes to Comic-Con Interntional In SD
The 80's and Gothic Subculture are Alive and Well

http://www.myspace.com/comicconinternational

 

 

 

Hey everyone this is Sid from Batwave, I want to tell you about our trip to Comic-Con on Sunday. It's funny I didn't know what to expect when I walked through the door, but I knew something; among all the comic books, action figures, pretty girls dressed as various video game characters, Celebrities and Nerds, I was at home. The day didn't start out too well, Adam and I stayed up most of the night making flyer's for Batwave. 50 of those were limited edition, hand numbered sheets that also act as free admission to any Batwave event.

 

We ended up arriving at about 12:00 ready for anything. After a short jaunt around Old Town San Diego, we parked and made our way to the convention center via the trolley. We were having some slight problems obtaining our press credentials at first. Already we could see the thick mist of change overlaying the town. Children to adults dressed up in cosplay. From anime characters to independent comic book characters, they were all there.

Once we reached our destination along with seas of other comic fans, we spent some time passing out fliers and hob knobbing with the various nerd or celebrity. Around 3:00 Thomas Jane of Punisher and Hung, came outside to smoke the largest cigar i have ever seen. I asked for a picture and he grippingly accepted, but just then his phone rang and he wanted to take off. Getting blown off by a B list actor...Jeez.

 

You know when you meet a girl and you really like her, your stomach has butterflies and your heart is all crazy. Well That is what it was like for me when we finally walked in with our badges. Years and years I've dreamed of this moment and we were in. This was my element. Everyone was pleasant, everyone had a smile on their faces. Joe F. from Spawn.com actually seemed happy to see me,and asked me why I haven't been on the forums in a week or so.

 

Lloyd Kaufman from Troma Films treated me with great respect, was very friendly and down to earth. I must also say, Mike and Jerry from Penny Arcade were the coolest guys ever! I was in dork heaven, Israel is to Jewish people as San Diego Comic Con was to me.

 

Adam was delighted at the large turnout for a Sunday afternoon however. He was also pleased to snap a picture of a modernized version of the Ghostbusters Ecto-1, just a small bit of the overall Ghostbusters enthusiasm noticed at the event. A strange amount of people were also wearing "Free Hugs" shirts as well.

 

Darting from here to there i had to see everything that I could while promoting Batwave at the same time. To me that was the greatest day I have ever lived. Leaving, I felt great, I had accomplished something. I will definitely be coming back next year, I hope San Diego remains the official venue for such a glorious event for all eternity.

More Pictures of Comic-Con Available Here

 

 


 

45 Grave at the Knitting Factory
Fills My Soul with Deathrock Desire - by Batwave Radio

http://www.myspace.com/45grave2005

 

Some music is timeless. Several Generations have been lucky enough to have seen or heard of 45 Grave, whether it was from watching Return of the Living Dead or just having a love for great deathrock. Dinah Cancer, the bands frontrunner not only still knows how to please a crowd, but also takes us with her into the dark world of the horror punk genre that she helped define years ago. She fills the venue with it better than ever and with fierce determination.

 

Batwave Will be playing several 45 Grave songs including the classic “Evil.” In fact when she played it, everyone lit up and became possessed by Satan in some type of mass hysteria. Music like this is what Batwave is all about, and its a pleasure to see them still going strong.

We arrived at the Knitting Factory, a true Hollywood rock venue. It was a wonderful place to see them, due to a fantastic sound system and great atmosphere. I was laughing at all the goths leaving the place before Green Jelly took the stage.

 

 

One of the best things about this band is they don't try to make there music conform to the latest style. They do what to they do best. The music is performed to a very dynamic degree, similar to how it sounds on the studio versions, but with a live clarity you cannot obtain otherwise. Seeing this truly unveils the bands amazing performance ability. I can't get over the precise nature of how the instruments interacted while performing such a wild gothabilly fiasco. If you are reading this please keep doing exactly what you are doing, please don't ever change a thing. It was truly a pleasure.

 

Before I saw this show I was a fan, but I really never comprehended that ever present vibe in person, that really defines an era. The musical aspect was so dynamically composed, and something truly amazing to hear as it danced with the organic feel of the guitars. The harmony created here almost gives it a late 80's dark new wave style they had eventually evolved into, and its something truly missing in today's music scene. I can' get enough of it.

Dinah knows what she is doing and it shows. They're performing October 30th with Tiger Army in Anaheim, we'll be there, you should be too. She is a legend of this genre, and beyond.

 


 

Vice Squad at the Key Club
A trip Back in time -- by Batwave Radio

http://www.myspace.com/vicesquad

 

 

 

Batwave went out to the Key Club on a warm Hollywood night. That venue radiates its brilliant history to its lucky visitors, featuring an easy to access bar, and allowing a perfect view of the stage from virtually any location. It might have been 2009, but the vibe was definitely '79. This is were the legacy of punk music still lived, if only for the night. Vice Squad came from Bristol in the late 70's, and continues to have its original iconic and legendary front woman Beki Bondage. This was street punk, trashy and loud.

 

Rowdy just begins to describe what happened and completely proves that Beki's energy spread anarchy across the venue. After several fights broke out the police had permanently parked two squad cars in front of the club and stood like guards waiting for the worst. Out on the smoking patio I was casually talking to a member from the opening band, with the police as our backdrop he was explaining his disillusionment about how nothing shocks anyone anymore.

 

 

There was a sudden burst of commotion as the owner of the Key Club barged out of the club, engaged in a screaming battle at some huge tattooed covered shirtless white guy and his girlfriend. He continued to preach that the band respected whatever it was he did, and that he was going to wait here all night. As soon as the police came over he started withdrawing, but his girlfriend continued to badger the staff. Meanwhile people were climbing up streetlights and rushing the door. You could sense the staffs fear, they've seen nights like this before.

 

Before they took stage the stage music set the mood with songs like “Evil” from 45 Grave, a song we will be playing on Batwave. We were fortunate enough to witness chaos to the backdrop of the finest tuned incarnation of Vice Squad I've ever heard, making it truly an amazing night. Even though they haven't released an album in a few years it seems like they have just been fine tuning and perfecting there act. All the classics were viciously played and loved by the fans. The mosh pit raged to “Latex Love”, “Rock ‘n Roll Massacre” and “Last Rockers”. There current lineup seems to be the same one from about 2000, so by now they really have a nicely dialed in sound.

 

During there performance young fans were forcing themselves onstage to sing with Beki, to the point that the security guard on stage was constantly struggling to keep people down. At one moment a girl stole a kiss from the star, who could blame her... she still looks drop dead amazing. I was convinced I was transformed into another time that night, a better one that anyone can visit who is lucky enough to see this amazing band live.

 

Copyright 2009 Batwave Radio